Audiences must be critical of film representations of the aged woman living with Alzheimer’s disease and of dangerous reinscriptions of stereotypical equations about ageing as deterioration. This paper analyses the representation and decline of the aged woman through the different voices of Iris Murdoch in Richard Eyre’s film Iris (2001). Key vocal scenes are considered: On-screen encounters between young and aged Iris, vocal representations of dementia symptoms and silencing Iris as her disease progresses. Further, Iris’ recurrent unaccompanied song, “The Lark in the Clear Air,” compels audiences to “see” Iris with their ears more than with their eyes, exemplifying the representational power of sound in film. This paper is an appeal for increased debate about sonic representations of aged women, ageing and Alzheimer’s disease and dementia in film. The significance of audiences’ critical awareness and understanding about the social implications of these representations is discussed.
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